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El pensamiento es un jardín hibrido. El archivo Mariotti – Luy (1964-2024)

Co-edited with Miguel A. López in the framework of the exhibition of the same name, presented simultaneously at the Museo de Arte de Lima – MALI and the Museo de Arte Contemporáneo de Lima MAC-Lima, this book is the first publication devoted entirely to the work of Francesco Mariotti and María Luy: six decades of artistic and cultural production traversing continents, languages, and disciplines.

One central challenge for this publication was one of scale. The Mariotti–Luy Archive, held on long-term loan at MALI since 2017, comprises more than fifteen linear meters of documentation —photographs, correspondence, sketches, posters, films, programmes, computational poems, manifestos— alongside an extensive body of works across widely varied media. Rather than attempting an exhaustive catalogue, we opted for a structure that functions as an invitation to explore this pluriverse: an extended curatorial essay, the product of more than a decade of joint research; a portfolio of works that also includes ephemeral projects documentation of significant historical value; a series of original essays —by Mijail Mitrovic, Almendra Otta, Giuliana Vidarte, Emilia Curatola, Rosalyn Chávarry, and a foundational text by Gustavo Buntinx three decades ago on the work of Mariotti—; a section of appendices gathering key documents, manifestos, and interviews; and a detailed chronology.

The recent passing of Francesco Mariotti during the editorial process transformed the character of the book, which became also a tribute. This publication only begins to reveal the richness of a practice that will continue to generate new readings and new wonder in the years to come.

Thinking is a Hybrid Garden: the Mariotti – Luy Archive (1964-2024)

Thinking is a Hybrid Garden: the Mariotti – Luy Archive (1964-2024) showcases six decades of artistic and cultural work by Francesco Mariotti (Bern, Switzerland, 1943) and María Luy (Puerto Maldonado, Peru, 1950), revealing a pioneering body of work that intertwines technology, collectivity, nature, and social commitment. Spread across the galleries of the Museo de Arte de Lima – MALI and the Museo de Arte Contemporáneo de Lima – MAC Lima, this exhibition provides a comprehensive overview on the Mariotti – Luy Archive, currently on loan to MALI. This archive contains historical documentation (photographs, newspaper clippings, magazines, posters, films, and other materials) spanning from the 1960s to the present, covering key moments in both local and international cultural production. Alongside these documents, numerous artworks trace the trajectory of both artists between Peru and Europe.

The exhibition takes as its point of departure the concept of the hybrid, a central theme in the artistic and cultural production of both artists. For Mariotti, the hybrid is not merely  a mixture of elements, but rather a complex form of existence that integrates seemingly opposing components, such as technology and nature. The concept derives from his installations known as Hybrid Gardens (or Quantum Gardens), in which distinct elements converge. For the artist, the hybrid is linked to plastic, waste, and consumer culture, as well as to magic, poetry, and art. It is both artificial and natural, and both organic and synthetic. In other words, it embodies a practice of resistance and transformation.

At a time when artificial intelligence (AI) poses new challenges regarding the relationship between humanity, technology, and nature, this exhibition offers a close look at several pioneering developments in this field. We present works that have never before been  exhibited in Peru, offering  multisensory and luminous experiences. These early projects foreshadow the evolution of artificial intelligences emerging in dialogue with diverse cultural traditions and worldviews, from Dadaism to Amazonian mythologies. The exhibition also highlights cultural management work that has been the driving force behind the prolific creative production of Francesco Mariotti and María Luy.

Co-Curated with Miguel A. López

Electro-Poet-Rivelazionaria: Il Salvataggio delle Poesie Computazionali di Gianni Toti – Una conversazione con Francesco Mariotti